Record Store Day exclusive’s ‘Aphelion Vol.1’ and ‘Aphelion Vol.2’ bring together a selection of rare remixes from the Rocket Recordings back catalogue - all but one track are being released on vinyl for the first time.
The LP’s bring together tracks by Rocket favourites like Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Josefin Öhrn + The Liberation,
Sex Swing, Gnoomes, Bonnacons of Doom and many more.
These classic Rocket tracks have been pushed, pulled, stretched, dissected and some, completely re-imagined by an eclectic mix of incredible artists.
These include some of the current leaders of electronic exploration like Nyege Nyege’s Nihiloxia, Bristol’s Giant Swan and Oliver Ho’s Broken English Club.
Remixes from the post-punk royalty of IDLES, to the untouchable, experimental sounds of Tomaga – the albums also includes contributions from two of NTS Radio’s most acclaimed DJ’s, Optimo’s JD Twitch and the ‘godlike’ Cherrystones, both exploring addictive bass churning sounds.
The albums also see Rocket artists remixing their fellow label mates – Mexico’s J. Zunz unexpected remix of Pigs Pigs Pigs Pigs Pigs Pigs Pigs, GNOD’s Negra Branca remix of Greece’s Kooba Tercu, and one of the stand out tracks, the 9 min+ Gnoomes remix of the Flowers Must Die song ‘Hey, Shut Up’.
Aphelion Vol.1 also includes a brand new, unreleased remix
by Cage And Aviary’s Jamie Paton and his krautdub take on
J. Zunz track ‘Four Women and Darkness’.
The results are a cauldron of repetitive sounds across two LPs – taking in everything from psych, techno, krautrock, afro, noise, dub and all the other ingredients you would expect to find on
a compilation released on the ever reliable Rocket Recordings.
supported by 15 fans who also own “Aphelion Vol.2”
15 ans d'existence et je n'avais entendu parler d'eux... Et pourtant ce groupe a de quoi séduire avec cet album tout ceux qui aiment le noise rock. Le chaos émerge d'une rythmique répétitive sur laquelle Gnod ajoute des strates torturées. Un long trip cauchemardesque à l'image du titre Giro Day qui clôture l'album sur 12 minutes abrasives à souhait.
Cet album donne envie de plonger dans la discographie abyssale de ce groupe quitte à ne jamais refaire surface... Triskellectif
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